Wood blanks

Oooo, I am very excited about having received these beautiful wood blanks in the post yesterday! They were neatly separate into individual bags according to the tree species and are extraordinary, intricate, detailed and very special indeed. I can't wait to put them together with the first batch of puzzle boards as little wood knobs.

We are going on holiday next week but I know I will be itching to get back so that I can finally put together the first real puzzle boards for sale!

yule tid

 Greetings.

It is has been a couple of months since I popped in here. Wow, time flies. Busy busy times at the moment with christmas coming up. For the crafty and creative person comes a-whole-lot-of-stuff-to-do panic around about this time of the year. I took a chill pill the other day and made some decorations for our hallway. I have saved all these fruit netting bags to find a reuse for them and they finally came handy to create this hanging, pagan queen like woman...I love the simplicity of this piece and the best part of this is that I get to eat more ice cream now to get more sticks! This pagan theme is reminding me that I am finally coming to terms with the complexity of my scandinavian heritage and my newfound home in australia...I am working towards embracing both in finding a pathway for my creative streak.

Hanging decoration in hallway

Pagan queen

I also had some scraps lying around after finishing a bouquet arrangement for my friends wedding flowers. I used this awesome (but expensive) hat making mesh and it is quite stiff which makes for great folded flower like shapes with bits of fabric stuck in it. 

Fabric flower

It is the first advent on sunday (not that i am very religious but it is a nice custom regardless). Got some christmas decorations up, next on the itinerary are the stockings. Have all the materials, just need to finish the tie I am sowing for my partner for a wedding we are going to next weekend. Pweh, hard life being a maker. (NOT)

oh, ps. YES. We finally moved the TV away from our main living area, the conversations that has enabled over the last week is unreal. Loving it.

Bottom-up urbanism at its finest - Heath Nash at HIFA 2011

Recycle plastic bottle pattern - Image via designboom courtesy of Heath Nash

 This project includes all the things that I love about design and more specifically about the urban landscape and meaningful spatial site interventions. Heath Nash, project coordinator and designer produced and organised this work along with local artisans for Harare International Festival of the Art. HIFA performing arts festival 2011. The South-African designer, reused thousands of recycled plastic bottles and other materials such as plastic buckets and aluminium cans to create a set of canopies for the urban dweller to take to when in need of shade. According to designboom, Nash got the inspiration from simply walking the streets of the Zimbabwean capital whilst observing how people occupied and congregated under the city's tree canopies so to avoid the Southern African mercury. 

This observation was translated into a pragmatic and spatial take on the idea of recycling waste materials derived from consumption. 

Components of an extensive distribution system - Image via designboom courtesy of Heath Nash

The way in which the canopies are constructed is simply magic. Repetitive pattern is one of the most powerful ways of generating beauty and striking form in my eyes and the combining of cultural and social observation with a commentary of mass-consumption, leads way to a meaningful site intervention.

The project suggests a site intervention that is constructed at a 1:1 scale, utilising local craftsmanship with the organising mind of a designer. The other beauty in this project lie in the system that this 1:1 site intervention actually represents. Where all these bottles, cans and buckets come from remain unrepresented, perhaps it is not doable but I hope that you get the picture. A 1:1 intervention that assembles tens of thousands of small objects that was part of a mass-distribution system going out for consumption to then be returned to another system, that of recycling and end up in this meaningful installation. Simply beauty.

re-ordering, re-assembling, re-configuring - Image via designboom courtesy of Heath Nash

process - Image via designboom courtesy of Heath Nash

Light my pulp

A lovely design process by Enrique Romero de la Llana. The designer created these lamp shades using old newspapers, mixing them into a paste and drying them out into various simple and organic forms. I have totally developed a fetish for lamp shades these days!

Over at Design Milk, they observed the upcycling of the newspaper into a somewhat celebration of the tree that once was the paper. I find this to be the case because of the texture that the designer achieved for the lamps. It  reminds me of old gnarly and fairy like trees.

Images below from design milk

Drawing on old chests

drawers remade into kitchen units, via dornob

drawers remade into chest, via dornob

These reinvented chest of drawers are amazing. Not only is the process of salvaging individual drawers from a life in despair at the local landfill commendable, but the combining of separate drawers with completely different histories and origins into a new frame of life is truly inspirational. That is the romantic DRAWING card for me here; igniting new life into the old and creating a unique aesthetic and functionality to each piece. I absolutely love the aesthetic of this work.

Although Hamburg based design company entwurf-direkt creates single drawer-shelves as well for attachment on walls and also for stacking; I have to  point out for my own records that although old is brought into new life, it is still serving the same function as it once had and has not completely been remade and rethought into a new function. It is a combination of the two. Hence, an alternative take on the idea of remaking. 1/2 remake.

I also like how the designers stamp and number their works. This creates another meaning to the pieces as they make their way out into the big world of people's homes and become part of a larger system.

assorted pieces. via dornob

It's interesting that some photos are taken outside of the chest of drawers. Interesting choice of environment. I wonder how this concept could be translated into an intervention in the landscape. Reinventing drawers from the landscape. How can I conceptualise the idea of drawers into the landscape?

Sick Cocoon and Sick Ball by Jeannine van Erk

photo via designboom, image courtesy of bel+bo

These stunning lanters are actually made from custom-dyed medical bandages. The designer, Jeannine van Erk, carefully layers the dyed bandages around the balloons with an adhesive, allows it to dry then pops the balloons and off you go with these beautiful and earthy coloured lamp shades. They are subtle and welcoming, inviting and non-pretentious. Perhaps a reflection of the designers personality. I LOVE the idea of turning bandages into lampshades. Re-making a material from one purpose to the next. I also adore the idea of each lampshade being different from the next due to them being handmade. There is something very lovely about a handcrafted work that you just don't get with mass-produced and factory made items. The knowledge that somebody has carefully crafted something with their own hands (I am known for having a hand fetish) appeals to me. It feels as if an object has reached its full potential when it is hand-crafted as the maker has given everything in his/her physical and mental capabilities at that point in time and that to me is intriguing, it tells a story, it has a narrative, it has meaning.

Jeannine van Erk works for Berlin based design studio bel+bo and exhibited these works at the DMY Berlin (Berlin International Design Festival) held this earlier this month.

This is how the designers describe these products:

Cocon- Malade and Boule Malade are unique, handcrafted lampshades.

Their individuality is achieved by hand-made, specially dyed natural materials.

Because of the craftsmanship of the Dutch designer, Jeannine van Erk, each lampshade is different.

Their special quality is warm, atmospheric light in a simple, yet contemporary design.

The color chosen for an order is never exactly the same as shown. These are natural pigments,

so they will vary slightly.

They are available in 7 different colours

detail view of sick cocoon bandage lantern via designboom

cocon and boule malade, assorted colours, image via designboom, image courtesy of bel+bo

designer making the sick lanterns, image via designboom, courtesy of bel+bo

Opening of the Highline' Section 02'

This project makes me so incredibly happy. It makes use of a disused elevated old railway system in NYC and turns it into a fantastic civic space through which one gets an alternative view of the streets of new york.

Instead of demolishing this disused infrastructure, landscape architects and urban designers Field Operations along with architects Diller Scofidio + Renfro and planting designer Piet Oudolf collaborated together to celebrate civic life in one of the worlds most famous metropolises with this elevated park corridor. Remaking an old and once vital part of the industrial city into a new, vital part of the public city.

perspective view, merging vegetation and the built environment around it, giving an indication of what sort of space you can expect upon visiting the Highline.

The design celebrates the human scale, interaction between people, interaction between people and the surrounding built environment, interaction between people and industrial heritage and the interaction between people and a more romantic planting scheme that could be argued somewhat removes the visitors from the very city that this piece of infrastructure once served. As the people at dezeen describe it:


The park accommodates the wild, the cultivated, the intimate, and the social. Access points are durational experiences designed to prolong the transition from the frenetic pace of city streets to the slow otherworldly landscape above.

Top view of the Highline Park, some vegetation found on the elevated level is in fact tree canopies planted on ground level. image via dezeen

Rudanko+Kankkunen - Vocational school in Sra Pou, Cambodia.

This is such a meaningful project by finish architects Rudanko+Kankkunen. The school was constructed with hand-dried blocks of local soil and built by the local community. via dezeen

Window/Door Shutters, image by architects

 Using materials found closeby and having the locals building the school as a design process makes this project close to the heart and it gives it more soul.

I love the colours of the window shutters, they are vibrant and contrasting to the terracotta coloured bricks.

Facade, image via architects

Student looking through the woven window shutters, image via architects

It would've been nice to have added the surrounding lot to the design aswell. For this sort of project I would imagine having a workshop with the children and planting perhaps fruit trees and other edible crops to the school yard.

Holes in wall to let sunlight through and also aid in ventilation of the building, image via dezeen