Showing posts with label landscape architecture. Show all posts
Showing posts with label landscape architecture. Show all posts

10/31/2012

Memories and carving pumpkins




 How do you celebrate Halloween?

In Sweden where I grew up, November 1st, is a day where you send a thought to loved ones that have passed away and you often visit their graves, put some plants and light a candle in their memory. I remember going with my grandmother to my grandfathers grave at the Eastern Cemetary in Malmo each year, and often also going to my paternal great grandmothers grave straight afterwards, to say a silent hello and to remember their life with us.

Östra kyrkogården Malmö, from here
Östra kyrkogården Malmö, from here

But more so, what is really more prevalent in my mind is the memory of feelings and sensations I got when entering this particular cemetery in late Swedish autumn. Often a rugged, cold and wet afternoon with not much sunlight, the remnants of once colourful leaves now turning brown on the ground as the photosynthesis gradually removes the chlorophyll from its veins. Muddled conversations from dark figures hunching over the graves of their forefathers, warm air blowing from their mouths as they say their hellos, how are yous and goodbyes. The flickering light from hundreds of individual candles that have been gently placed on each grave from somebody that needs to remember. A wet and stubborn runny nose turning red as the cold bites harder as darkness and evening sets in. The trees are almost naked now and the evergreen shrubbery and hedges line the grave divisions strictly ordering the system of the dead.
The sombre atmosphere is something that I treasure in my heart and in my memory. Tradition makes it happen and the landscape makes you feel it. 

from here


This way of celebrating Halloween predates the Christian church and is actually linked to Pagan Rituals of guiding the dead. The pagans believed that when summer was finished the dead returned home and needed people to light their way with fires, hence the lighting of candles, decorating and visiting of graves in modern time.
Here in Australia, I don’t quite know how it would feel like to experience the cemetery, tonight on the eve of the dead. I don’t know any dead people here. Although, being a landscape architect, I have of course wandered the aisles of many of the local cemeteries on days off but never on this night.
It would be such a different experience. First of all, we are going into summer here in Australia, so it would be warmer, perhaps more humid or dry, the mist, the wet air that is the fairy dance in the northern hemisphere is likely to be dust cloud from the gravel path here in the south, hovering slightly above the ground. Generally, my experience has been that the vegetation around the Australian cemeteries tend to be quite arid and bushy/thorny, almost like the dead themselves. They are not designed for grand displays of planting schemes; neither do they seem to be public spaces used beyond their primary program. But I haven’t seen them all, so I couldn’t possibly tell you that all of them are like this.


Östra kyrkogården Malmö, from here

Östra kyrkogården Malmö, from here





Commercially, Halloween to me is a pumpkin, little kids begging for sweets and money, horror on the television and a good excuse for grown up dress up parties and frolicking around.
Yes, I admit it. I bought a pumpkin solely on the premise that I’d get to carve into it and turn it into a scary looking piece of home decoration for a couple of nights in our house lit up with tea candles.

this years pumpkin

Buying a pumpkin and sitting down to watch Tim Burton’s Nightmare Before Christmas in candle light is as far as I get to celebrate the eve of the dead’s return to our earth this year as my two little darlings need their mum for bedtime.

Spiritually, I am sending thought to loved ones now passed. May they proceed in peace through the landscapes of memory.


9/15/2011

Bottom-up urbanism at its finest - Heath Nash at HIFA 2011

Recycle plastic bottle pattern - Image via designboom courtesy of Heath Nash
 This project includes all the things that I love about design and more specifically about the urban landscape and meaningful spatial site interventions. Heath Nash, project coordinator and designer produced and organised this work along with local artisans for Harare International Festival of the Art. HIFA performing arts festival 2011. The South-African designer, reused thousands of recycled plastic bottles and other materials such as plastic buckets and aluminium cans to create a set of canopies for the urban dweller to take to when in need of shade. According to designboom, Nash got the inspiration from simply walking the streets of the Zimbabwean capital whilst observing how people occupied and congregated under the city's tree canopies so to avoid the Southern African mercury. 
This observation was translated into a pragmatic and spatial take on the idea of recycling waste materials derived from consumption. 

Components of an extensive distribution system - Image via designboom courtesy of Heath Nash


The way in which the canopies are constructed is simply magic. Repetitive pattern is one of the most powerful ways of generating beauty and striking form in my eyes and the combining of cultural and social observation with a commentary of mass-consumption, leads way to a meaningful site intervention.

The project suggests a site intervention that is constructed at a 1:1 scale, utilising local craftsmanship with the organising mind of a designer. The other beauty in this project lie in the system that this 1:1 site intervention actually represents. Where all these bottles, cans and buckets come from remain unrepresented, perhaps it is not doable but I hope that you get the picture. A 1:1 intervention that assembles tens of thousands of small objects that was part of a mass-distribution system going out for consumption to then be returned to another system, that of recycling and end up in this meaningful installation. Simply beauty.

re-ordering, re-assembling, re-configuring - Image via designboom courtesy of Heath Nash
process - Image via designboom courtesy of Heath Nash

7/10/2011

Ebony Bizys - Everyday Tokyo

These photos by graphic designer Ebony Bizys are just the type of everyday landscape that I am researching for my own design projects.

I love how this landscape of pots and interior furniture and fittings represents ordinary everyday life of the city's inhabitants and their desire to make a mark on their surroundings. Claiming a little bit of space, growing, nursing and caring for a little bit of life, a small scale intervention in a 21st century large scale city. You might want to check out: urban interior, a group of researchers based in Melbourne that recently released a book exploring the idea of urban interior.

image via otherpeopleshouses

image via otherpeopleshouses

image via hellosandwich

image via hellosandwich

6/16/2011

Opening of the Highline' Section 02'

This project makes me so incredibly happy. It makes use of a disused elevated old railway system in NYC and turns it into a fantastic civic space through which one gets an alternative view of the streets of new york.

Instead of demolishing this disused infrastructure, landscape architects and urban designers Field Operations along with architects Diller Scofidio + Renfro and planting designer Piet Oudolf collaborated together to celebrate civic life in one of the worlds most famous metropolises with this elevated park corridor. Remaking an old and once vital part of the industrial city into a new, vital part of the public city.

perspective view, merging vegetation and the built environment around it, giving an indication of what sort of space you can expect upon visiting the Highline.


The design celebrates the human scale, interaction between people, interaction between people and the surrounding built environment, interaction between people and industrial heritage and the interaction between people and a more romantic planting scheme that could be argued somewhat removes the visitors from the very city that this piece of infrastructure once served. As the people at dezeen describe it:


The park accommodates the wild, the cultivated, the intimate, and the social. Access points are durational experiences designed to prolong the transition from the frenetic pace of city streets to the slow otherworldly landscape above.

Top view of the Highline Park, some vegetation found on the elevated level is in fact tree canopies planted on ground level. image via dezeen

Urban Interventions

My urban intervention Crate[or] is now online for your perusal here. Feel free to email or comment on the project. It forms a part of ongoing design research that I am conducting into approaching the city at a human scale when discussing urban development and the understanding of the forces that play out in the city.

Crate[or], photo by author
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